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The films since about the late 90s to actually break the mold and thus achieve a really good fear factor from both a visceral and intellectual standpoint are the ones that thought outside the box. Blair Witch is a great example. there was something, but it wasnt a familiar something, pursuing people who were lost irreparably or was there, we can never know for sure, it was left ambiguous. People who were not exactly asking for trouble, found themselves in a situation where they became sitting ducks, trying to fight something they couldnt fathom. For me, thats where genuine fear comes from, not only do you relate to the characters, and not only are they being pursued by an unstoppable force which has the element of surprise on its side, but it works best when the motivations are not understood either at all, or until the end, because how do you know how to stop a threat when you dont even know what that threat entails?So as I said, I think many of the best Asian horror films were based on that suspense, even Ringu, from which the Ring was taken, was really about a force that was unstoppable but which emanated from events that we didnt fully understand until the end, and though the remake was fairly faithful, filmmakers missed the point when remaking it for US audiences by a overemphasizing the gotcha factorits a form of fear no better than jumping out from behind a closet and shouting BOO, and the novelty of the death delivery mechanism in this case a tape which if you watch it you die in 7 days. It was the novelty of how the killer chose its victims which was played to, more than the suspense of how is it going to happen and what are they going to do to stop it. Since the late 90s, the best horror films have usually been more about the suspense than anything else. The Sixth Sense was a great exampleyou knew things were going down, you sensed a threat, nothing exactly jumped out at you, but the fear was visceral, the characters were believable, and the ending provided a great and unexpected payoff. A couple of subsequent films captured that surprise ending well, while being all about the suspense and not the continued horror. they basically managed to keep you on edge without he help of a knife wielding maniacThe Others and What Lies Beneath come to mind. But the one modern fillmmaker who really gets horror, what is scary and why, in my opinion is Rob Zombie.
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Tsay, Ming yueh. 2008. Journal Bibliometric Analysis: A Case Study on the JASIST. Malaysian Journal of Library Information Science 132: 121 139. Warraich, N. F. Woessner. pp. 494 497. X. Sang 2004 Matrilysin 2.